The philosophy of humanism embraced human creativity and intellect. This was a dramatic shift from the focus on the will of the divine and the minimization of human self-governance of the medieval era.
The linear perspective concept developed by Filippo Brunelleschi enabled Italian artists to depict a lifelike impression of three-dimensional depth throughout their paintings.
This period saw a revival of interest in ancient learning and art, as well as an emphasis on humanism and independence. Artists continued to experiment with the Proto-Renaissance techniques of realism.
These artists concentrated on producing pieces that were technically faultless as well as intellectually stimulating, with a focus on balance, harmony, and idealistic beauty.
Certain Italian artists, like Parmigianino, established a style that blended the romanticized beauty of the High Renaissance with Mannerism’s exaggerated stances and stretched figures.
Many believe him to be the first great artist of the Italian Renaissance period and the originator of the modern age of painting. Regrettably, only four works that are certainly his remain today.
These Italian Renaissance paintings are famous for their use of brilliant colors and beautiful, flowing lines, which became hallmark Italian Renaissance characteristics.
The Early Renaissance artist became well-known for his elaborate narratives, which typically included prominent Florentine residents – in this way, he recorded contemporary Florentine life.
Many of the fundamental aspects of Renaissance painting, including the incorporation of perspective, the human body as a subject, and the significance of individuality and expression of emotion, were defined by his work.
Titian was the most famous Venetian painter of the 16th century. Titian is well known for his mastery of color and diversity – he was equally competent at producing landscapes, portraits, and mythical and religious subjects.